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Jacques JOUHANEAU: Professor at the Conservatoire national des arts et métiers (CNAM)
INTRODUCTION
The installation of a sound system in a venue must meet a number of requirements, including acoustic, electroacoustic, perceptual and aesthetic aspects. The various sections of the specifications to be examined in priority are :
a) the sound quality of the reproduction chain: this quality is largely determined by the "high-fidelity" performance of the retransmission chain. It necessarily includes consideration of the signal-to-noise ratio, respect for timbre, absence of distortion and control of feedback and coupling. If necessary, it must offer the possibility of introducing special effects: stereophonic, panning, filtering, phase shifting, delays, etc. ;
b) sound quality at listening points, which involves the study of two families of criteria:
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definition :
clarity, intelligibility and articulation for speech ;
clarity, transparency and precision of attack for music ;
spectral balance and respect for timbre in both the direct and reverberant fields;
c) uniformity of overall sound level distribution on stage and in the hall throughout the dynamic range;
d) respect for the balance of sources at all points in the room: this balance includes the relative sound levels of each source as well as their spectral distribution (timbre, color and apparent pitch);
e) coherent localization, i.e. coincidence between "visual" and "auditory" positions of sources;
f) spatial impression adaptable to the nature of the work;
g) the search for optimum clarity on stage;
h) the search for minimum cost, involving :
a good distribution of investments in room treatment, number of sources and their quality;
an appropriate adjustment of the electroacoustic powers involved.
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