Article | REF: RE200 V1

X-ray fluorescence spectrometry analysis of paintings by Leonardo da Vinci

Authors: Laurence DE VIGUERIE, Vincente Armando SOLÉ, Philippe WALTER

Publication date: March 10, 2011 | Lire en français

You do not have access to this resource.
Click here to request your free trial access!

Already subscribed? Log in!

Automatically translated using artificial intelligence technology (Note that only the original version is binding) > find out more.

    A  |  A

    Overview

    Read this article from a comprehensive knowledge base, updated and supplemented with articles reviewed by scientific committees.

    Read the article

    AUTHORS

    • Laurence DE VIGUERIE: Doctorate from Pierre et Marie Curie University, specializing in the physics and chemistry of materials

    • Vincente Armando SOLÉ: Doctor of physics and researcher at the European Synchrotron Radiation Facility (ESRF)

    • Philippe WALTER: Director of Research at the CNRS, Laboratoire du Centre de recherche et de restauration des musées de France, UMR 171 of the CNRS

     INTRODUCTION

    Summary

    The faces of seven works by Leonardo da Vinci, on display at the Louvre, were analyzed by X-ray fluorescence. The X-ray fluorescence spectra obtained were processed using PyMca software for multi-layer analysis. By modeling the stratigraphy of the painting, it is possible to obtain information on the composition and thickness of the layers.

    In the later works, Sainte Anne, La Vierge et l'Enfant, La Joconde and Saint Jean-Baptiste, the use of thicker glazes in the darker areas is clearly evident, accompanied by a modulation in the thickness of the lead white layers. In contrast, the older works (La Belle Ferronnière, for example) do not appear to have any glazes.

    Abstract

    Seven paintings from Leonardo da Vinci, exhibited in the Louvre museum, have been analysed by X-ray fluorescence. PyMca software which permits a multilayer analysis was used for the data treatment. It is possible to get information on the layers thickness and their composition, based on hypotheses on the layer stacking.

    In the latest paintings, the Virgin and the Child with Saint Anne, The Gioconda, Saint John the Baptist, the use of thicker glazes in the shadows is clearly shown with variations in the thickness of the lead white layers. In the earliest paintings (la Belle Ferronnière, for example) on the contrary, the artist would not have used glazes.

    Keywords

    Glacis, Renaissance, paint, non-destructive analysis, quantitative multilayer analysis

    Keywords

    Glaze, Renaissance, painting, non destructive analysis, quantitative multilayer analysis

    Key points

    Field: Analytical techniques

    Degree of technology diffusion: Emergence | Growth | Maturity

    Technologies involved: X-ray fluorescence spectrometry

    Applications: Analysis of works of art

    Main French players :

    Competitive clusters :

    Competence centers :

    Manufacturers :

    Other players worldwide :

    You do not have access to this resource.

    Exclusive to subscribers. 97% yet to be discovered!

    You do not have access to this resource.
    Click here to request your free trial access!

    Already subscribed? Log in!


    The Ultimate Scientific and Technical Reference

    A Comprehensive Knowledge Base, with over 1,200 authors and 100 scientific advisors
    + More than 10,000 articles and 1,000 how-to sheets, over 800 new or updated articles every year
    From design to prototyping, right through to industrialization, the reference for securing the development of your industrial projects

    This article is included in

    Technological innovations

    This offer includes:

    Knowledge Base

    Updated and enriched with articles validated by our scientific committees

    Services

    A set of exclusive tools to complement the resources

    Practical Path

    Operational and didactic, to guarantee the acquisition of transversal skills

    Doc & Quiz

    Interactive articles with quizzes, for constructive reading

    Subscribe now!

    Ongoing reading
    X-ray fluorescence spectrometry analysis of paintings by Leonardo da Vinci